By I Nyoman Darma Putra
A Literary mirror is the 1st English-language paintings to comprehensively examine Indonesian-language literature from Bali from a literary and cultural point of view. It covers the interval from 1920 to 2000. this is often a really wealthy box for learn into the methods Balinese view their tradition and the way they reply to exterior cultural forces. This paintings enhances the big variety of current stories of Bali and its heritage, anthropology, conventional literature, and the acting arts. A Literary Mirror is a useful source for these gaining knowledge of twentieth-century Balinese authors who wrote in Indonesian. in the past, such writers have acquired little or no realization within the present literature. An appendix supplies brief biographical info of many major writers and lists their paintings. complete textual content (Open entry)
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Additional info for A literary mirror : Balinese reflections on modernity and identity in the twentieth century
The moral message of the two novels is the importance of cultural and ethnic identity. Literature and essays on culture in Poedjangga Baroe in the 1930s also show a consistent sense of the significance of being Indonesian. This journal was important as an outlet for publishing literary work and also mediated an important polemik kebudayaan (cultural polemic) where nationalist activists exchanged ideas about the ideal culture for the proposed new Indonesian nation (Mihardja 1977; Foulcher 1991).
Literary journals like Horison (since 1967) and Kalam (since 1994) and nation-wide newspapers like Kompas and Media Indonesia have all continued to publish works written by such writers. The Dewan Kesenian Jakarta (Jakarta Arts Council) has regularly invited regional authors, including some from Bali, to take part in the annual literary forums held by Taman Ismail Marzuki. Although these achievements are all incremental improvements, the debate over ‘the emergence of regional literature’ remains of considerable importance.
Their suggestions provoked a debate on sastra kontekstual (contextual literature) during the second half of the 1980s. This debate was also partly inspired by the 1980 publication of Bumi manusia (This earth of mankind) the first volume of Pramoedya’s quartet of socio-historical novels, following his release from prison (Foulcher 1987; Allen 1999b:29). Many writers rejected the idea of sastra kontekstual because they thought that it would encourage the use of literature as social propaganda in the manner of left wing writers of the 1960s (Foulcher 1994b:66).
A literary mirror : Balinese reflections on modernity and identity in the twentieth century by I Nyoman Darma Putra