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By Inger Christensen

ISBN-10: 081121477X

ISBN-13: 9780811214773

Offered the American-Scandinavian PEN Translation Prize via Michael Hamburger, Susanna Nied's translation of alphabet introduces Inger Christensen's poetry to US readers for the 1st time. Born in 1935, Inger Christensen is Denmark's top recognized poet. Her award-winning alphabet relies structurally on Fibonacci's series (a mathematical series during which each one quantity is the sum of the 2 past numbers), together with the alphabet. the attractive poetry herein displays a posh philosophical historical past, but has a visionary caliber, studying the metaphysical within the basic stuff of lifestyle. In alphabet, Christensen creates a framework of psalm-like varieties that spread like increasing universes, whereas crystallizing either the wonder and the opportunity of destruction that permeate our instances.

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What do the allusions of both proems tell the audience about the artistic nature of the poems? A Brief History of Interpretations The Metamorphoses begins (Met. 1-4):5 In nova fert animus mutatas dicere formas corpora: di, coeptis (nam vos mutastis et illa) adspirate meis primaque ab origine mundi ad mea perpetuum deducite tempora carmen. My spirit moves me to tell of forms transformed into new bodies: gods (since you transformed even these things) inspire my beginnings and spin a continuous poem from the earliest beginnings of the world down to my own times.

In fact, all four occurrences of DŽǹǚȝǗȂłȥɍ are allusions to Homer. 648-649): ĄȉȉĿ ɑņ μŊəȧɧɍ ƪĝəƫȉņDŽǗȥ ƾȽǗņȥ μǗ DŽǹǚȝǗȂłȥɍ ĄǢȧȽǗŊǗǹȝ But why do I want to tell the story of Aethalides fully? Apollonius uses DŽǹǚȝǗȂłȥɍ in describing Jason’s report of the invitation Hypsipyle extends to the Argonauts. 847-848): μƑəȧȝ īɑ’ ĘDŽǚ Ìŀȝɑƫ DŽǹǚȝǗȂłȥɍ ĄǢňȽǗɧɌǗȝ, ɑňȝ Ɛƫ ȂƫȉǗɌɌƫμłȝǚ DŽǹǗÌłȮȽƫDŽǗȝ ̠ȲǹÌŊȉǗǹƫ... and when he had reported fully the entire speech that Hypsipyle had plainly told when she had summoned him...

Virgil admires Catullus as a man of letters and wishes to show that he has grasped the intention of his allusion. Virgil’s motive in using Catullus’s line and in deciphering its relation ——— 61 Wimsatt and Beardsley (1946). 62 Because Conte’s approach to literary allusion has been adopted for this study, these problems of authorial intention, as well as terminology employed in this study, which is closely linked to the issue of authorial intention, must be addressed. Recently Hinds, a proponent of Conte’s methods, has confronted this issue.

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Alphabet by Inger Christensen


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