By Spidey Williams
Each time I write my lifestyles tale, it comes out how i think yet now not continually what I see. at any time when i glance within the reflect, it indicates me all i will be able to by no means disguise uncooked & uncensored. It supplies fact to me. what number folks have an alias pen identify, nickname that we're often called, except our delivery identify? You don't need to increase your hand or nod your head, yet not less than try and smile no matter if it's difficult. i used to be bred & raised a Christian, yet i believe i'm much less of a guy & extra of a God. each poem I write a minimum of one individual like, however the ones written in sorrow & blood, humans always remember & unusually love. It's challenging for me to bleed externally while I've been bleeding internally on the grounds that i used to be born. via age 11 I had thirteen knowledge tooth, & medical professionals name me amazing, by way of 14 i used to be suspended 15 instances in years, statistics known as me usual! through 17 i used to be extraordinary back, from publishing my first poetry e-book, results of heartbroken. must have advised the witch health care professional by no means heal me, should've congratulated Cupid, for failing back, must have went to each wishing good, & retrieved each penny for my strategies, rather than publishing my first poetry e-book, entitled, "Poems From The Heart"
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Abraham Lincoln learn it with approval, yet Emily Dickinson defined its daring language and issues as 'disgraceful. ' And Ralph Waldo Emerson discovered Leaves of Grass 'the such a lot amazing piece of wit and knowledge that the United States has but contributed,' calling it a 'combination of the Bhagavad Gita and the hot York usher in.
Oose Sugar is an alchemical manuscript disguised as a suite of poems, or vice versa. both method, the primal fabrics of which this booklet is comprised — love, intercourse, formative years, space-time, melancholy, post-colonialism, and sugar — are movingly and mysteriously transmuted: no longer into gold, yet right into a poet's philosopher's stone, within which language marries lifestyles.
Dans ce recueil, les poèmes sont autant de rapprochements, de tentatives de retour vers l'autre en son absence : celui qu'on aime de tout son être, qui laisse un vide lorsqu'il half. Ne reste derrière lui que ces mots qui n'appartiennent qu'à ses lèvres, que ces chansons-soupirs des battements de son cœur.
Ces « discours émotifs » parlent, à leur manière, de l. a. difficulté et de los angeles joie de vivre dans le Nouvel-Ontario.
Tous les poèmes de cette assortment ont été dits et chantés en public lors des « apparitions » de « l. a. food de l. a. poésie » à Sudbury, Sturgeon Falls, Hearst, Timmins et Ottawa.
Si au départ, l’idée « l. a. food de l. a. poésie » était de sortir l. a. poésie des livres, de rendre l. a. parole available aux gens d’ici, Prise de parole considère nécessaire de « fixer » ces textes par écrits, et de les rendre disponibles au public.
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T4 Such a combination of the particular and the general is common to both Hegel and Derrida. Both point to the way all conceptual/ textual action is at once particular and general. For both, then, the individual self is at once itself and its other: for itself and for an other (in Hegelian phrase), or written in the very act of writing (in Derridean phrase). Such a double action is basic to dialectical thinking where self and other are opposites that are no longer in opposition and where writer and reader or reader and text similarly are opposites that become conflated, that define the indispensable elements of each other (again these are transformations which do not deny the distinctions which they disrupt).
On a personal and social plane, reality becomes an interpersonal affair (an image whose illicit prospects are explored by Browning in Fifine at the Fair, where the speaker argues that his personal reality requires an interpersonal affair with a lady other than his wife). Nature, as Solomon suggests, becomes 'the stage of our interpersonal world' (p. 441). But it is important to recognise that this metaphor still does not privilege external object or internal subject. 225)- they are determined by the existence and impact of the opposing consciousness- but they also act on their own behalf- they exist in and for themselves.
80). There are several factors involved here: (1) the process of shifting from one conception to another, of being part of a continual stream of transformations; (2) the act of self-representation, the subject 26 The Discourse of Self in Victorian Poetry positing itself; (3) mediation, the mode of presentation, knowing the self and its processes through representing them, rendering them as an object for the mind which reciprocates by seizing them as its own possession, making them its own;lS and (4) the continual act of differentiation, whereby the subject does not merely perceive static forms, objects that are external to itself, but, of necessity, as part of the definition of being a subject, actively participates in those forms, through acts of separation, making distinctions, differentiating.
Am I Beauti Fully Bro-ken Or Beauti Fully Broke-in? by Spidey Williams